Finding Your Voice: Day 8. Shapes & Patterns.

Oh boy! It’s Day 8 in: “Finding Your Voice… 10 Days, 10 Concepts To Help You Find Your Photographic Voice.” 

Today, we’re going to wrap ourselves around…

Shapes and Patterns

A world without shapes or patterns is pretty much a blob. Ditto bones. 😉

Shapes and patterns are definitely important elements to watch for – and potentially build compositions around. But when it comes to your artist’s voice, you have to take it deeper. What shapes and patterns do you just go nuts over? Any and all? Organic ones? Geometric ones? Shapes and patterns in nature? Architecture? All of the above?

After you work that out – then the even bigger question to ask is why? How do those particular patterns make you feel? What kind of story/statement does that shape make? These answers are important to know, because they’ll tell you how to compose your shot, whether to wait for warm light, pink light or low light. Is the statement stronger in black and white? To know the answer,  you have to know what the statement IS in the first place. And that is all about you and your point of view…  your voice.

My favorite shape or pattern is ________.

Continue reading “Finding Your Voice: Day 8. Shapes & Patterns.”

Lines, Contrast, Patterns = Monochrome

 My, What Strong Lines You Have!

This is a brand, spankin’ new photo. I haven’t posted it anywhere, except here. ‘Cause my blog gets first crack at everything. I’m partial that way.

It DID appear in a recent webinar I did on Tonality Pro for Macphun Software, because that’s how I processed it. This particular photo is just such a great example of how you can work with selective colors in Tonality Pro.

I do love this one… single shot, hand held… I found it while I was waiting for sunset at Donner Lake one evening this summer. I still remember the sound of the mosquito I was dodging at the time.

The little boat rental outfit was closed for the day… and all their boats were tied up, but this one was just as you see it. Such a classic set up – and perfect for a monochrome approach. The strong lines make it so; the verticals of the trees, the horizontal of the boat and dock… accentuated by the vertical orientation.

It’s a good thing to remember, should you wonder if a subject would make a good black and white image. Does it have strong lines, contrasts and repeating patterns? Then it’s probably a shoo-in for monochrome.

MyRedCanoe

 If You Like Learning…

On a whole other topic (but still related to learning)… remember last week when I said “Something Big is Coming?”
It starts tomorrow. I can’t give you the complete lowdown on the rundown until then, but I do get to say this much… Wow!

Yeah. Check in tomorrow… I’ll have the entire thing all laid out for ya. It’s COOL!

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